Tillerman

Beads

New from Tillerman Beads, history in the making!
Mancunium
Mike's desire to create glass beads based on archaeological finds was partly triggered by time spent in York over the past year, which included several visits to the Yorkshire Museum and Gardens which houses a collection of finds from excavations in and around York itself.

Included in the collection at the museum are a number of glass beads, ranging from Roman and Celtic on through the Viking era, and all of them of great interest to Mike. Further research on many fronts, including the British Museum holdings and other museums across the country gave Mike the impetus he needed to work on producing glass beads with historic inspiration.  The result is the 'Mancunium' range of glass beads created for people who want to own a small piece of history in the making. 

Click on any image on this page to be taken to the Mancunium website, for more information about these historic beads and the research that inspired them.

A selection of historic bead types by Mike Poole

A sampler of historic bead types

Mike's desire to create glass beads based on archaeological finds was partly triggered by time spent in York over the past year, which included several visits to the Yorkshire Museum and Gardens which houses a collection of finds from excavations in and around York itself. Included in the collection are a number of glass beads, ranging from Roman and Celtic on through the Viking era, and all of them of great interest to Mike. Further research on many fronts, including the British Museum holdings and other museums across the country gave Mike the impetus he needed to work on producing glass beads with historic roots.

 

Much of the glass used today would not be out of place in any glass beadmakers workshop from Roman or Viking times. The same soft soda glass is still produced in Italy, Germany and Britain for use by modern beadmakers .

 

'Melon' bead necklace with jasper and silver

Molten glass, now achieved through the use of modern torches rather than furnaces, is still wound in its liquid state around a rod or mandrel which has been coated with a clay release to prevent the glass from sticking to the rod. Various techniques of combining layers of glass through placing dots of glass in sequence to create something as simple as an 'eye' or as complex as a series of raised mounds of alternating colours are still used today as they were thousands of years ago. Other techniques of trailing thin lines of molten glass or creating complex twisted canes of glass that are then melted and applied are still in use today as are raking and combing or grooving the glass while it is still pliable.

 

  

'Melon' beads

The result is the same now as then, beads of a durable beauty. They are a common thread among cultures, and wherever there are discoveries of treasures there are glass beads. And now Mike is working to create his own versions of these beads, which are as unique and individual to him and his style as if he had worked them in antiquity. Each bead is created from soft glass, annealed in a kiln and then carefully cleaned to produce a bead that will be as close to the historic style as possible without being an exact copy. He believes that beadmakers then as now developed their own individual style of creating small works of art in glass and now adds his to the family of beads and beadmakers in a line that stretches back for thousands of years.

Altus statua? Nos mos ostendo vos altus statua!

 

All correspondence should be directed to the studio at:

Mike Poole/Tillerman Beads  Grumpy's Mill Studios  Red Door  Adam Street  Todmorden WYORKS  OL14 5HZ   07904974935

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This page was last updated March 31, 2007